As those of you who follow us on Twitter will know, the project has been in Italy this last week. Not because we fancied a holiday just before term starts again (although the weather was very nice indeed, and we did manage to have lunch on the beach at Nicotera Marina), but because part of the point of our project is to see the inscriptions we rely on for our work for ourselves. Even when an inscription is fully published, with good pictures and information about provenance, context and problems in the reading, it’s astounding what a difference it can make to see the object itself. All of a sudden you can discover that an apparently obvious stroke is caused by accidental damage rather than an intentional chisel, or that if you turn the object to catch the light differently an otherwise invisible indentation appears.
On the other hand, it’s easy to get carried away when you see an inscription ‘in the flesh’. Here’s a picture of the team hard at work over an exciting new Oscan inscription. Shortly afterwards we realised we had it upside down and it was really Greek. On this trip we were predominantly looking at Oscan inscriptions, as both mine and Katherine’s books on Oscan are in the final stages. We found some pretty exciting new readings, which we’ll have to take account of (watch this space). Among the museums we visited were the Musei Nazionali Archeologici of Crotone, Vibo Valentia and Reggio Calabria in Calabria, and the Museo Regionale Interdisciplinare in Messina, Sicily. We were overwhelmed by – and very grateful for – the helpfulness of the staff at all the museums, especially in finding things that we didn’t have inventory numbers for, letting us into the museum deposits, and giving up their time to help us out. Our limited edition project keyrings were but little recompense for their kindness. Planning for the next trip starts soon!